The Hollies on 11th of May 2002 in Bad Segeberg, Germany, Kalkberg-Arena,
                      Radio-Nora-Oldie-Night-Festival


It  was  a  whole day full of sunshine. But from 16:00 to 17:00 the sky  became  more  and  more  cloudy. The festival started at 18:00 after  a  big  thunder-shower  of  30  minutes. But from now on only a few raindrops  were felt  from  time to time. An audience of 13,000  people
filled the arena which was sold out!!!

The  German Joe Cocker Illusion Band opened the show, followed by The Lords (a  German  Band  too),  The Searchers, Slade, Smokie and The Spencer Davis Group. During the roadies did their work between the gigs a man called Dave Ashby  took  always his acoustic guitar and sang some hits of the 1960s. My photographer  and  I  arrived  backstage during the Searchers' set at 19:00,  because  the  Hollies performance as headliners was announced for 22:15.  After the moderator Helmut Radermacher had welcomed me he said:  "What's on with the Hollies? They are so hard to handle. They made a lot  of dispositions: Dave Ashby may not sing before their set. The planned fireworks  after  their  show  shall  be cancelled. The press may only make photographs  since the first three songs, but always without flash, what is difficult  at  22:15. After the third song all the journalists and photographers  have to leave their places directly in front of the stage... Oh  man,  we never have had so much problems with a group while we organize this festival and it's more than 10 years now!" Hmmmmm, I didn't understand
some of this dispositions too but I couldn't really help that man.

The  Hollies arrived at 21:00  from their hotel and went straight to their  dressing room. I was the only one who had the chance to talk shortly to  Bobby  Elliott.  I told him about my book of the band which I wanted to give  to  each  of it's members and asked for the possibility to shoot some photos for the book's second edition. I got his okay for doing it after the show. The  performance  began  as  punctual as clockwork. The moderator tried his announcement  but the  intro  for the gig was put so loudly into his words that he broke up. He must have been near a nervous breakdown. The following show  was  really  great.  All the other bands played 20 to 30 minutes, The Hollies did it for 45. Here is their set list:

Intro
01.  I'm Alive
02.  Sorry Suzanne
03.  Jennifer Eccles
04.  Bus Stop
05.  Stop! Stop! Stop
06.  Carrie Anne
07.  The Air That I Breathe
08.  Blowing In The Wind
09.  He Ain't Heavy He's My Brother
10.  Long Cool Woman (In A Black Dress)
11.  It's In Everyone Of Us
Outro

The  whole  audience  was  very  pleased  with  it.  It was absolutely the highlight  of  the festival. Carl did a great job on lead vocals, all songs worked very well, only "He Ain't Heavy He's My Brother" I think had not the magic power and feeling like in Allan Clarke's version, - sorry!

After  the show and some glasses of wine (I took the time to have a talk to Suzie  Quatro  who  visited  the festival without having a gig) The Hollies came  out  of  their  dressing room to leave the arena quickly. We made the promised  photos.  The  boys  were very friendly and helpful. When this was done  I gave the band the copies of my book. I was very surprised nobody of
them  had  heard  anything about it so far. Their management had got a copy from  my publisher some month ago. But all the boys were very pleased about it  and  thankful.  All in all our communication was much too short because there was always a guy called Lars who'd driven them forward. Who the hell is  that  man?  It seemed to me he could be the road manager of the band and maybe he's also the one who made the dispositions I described above.

At  the end it was a good feeling to be sure the fans have heard and seen a fine  show  of  the  Hollies, but what happened around the gig gave me some mixed emotions. The band had never been really integrated into the festival and  the  closed  contacts of the other artists to the fans/audience. There was always a distance. But maybe that's the way they wanted it.


Thanks to Manfred Schwanbeck